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PicksInSix Review: Beautiful: The Carole King Musical - Drury Lane Theatre

 
 

“You’re beautiful as you feel.” 
PicksInSix® Review | Guest Contributor | Kaitlyn Linsner

“Beautiful: The Carole King Musical,” an entertaining journey through Carole King’s life, is now playing at Drury Lane Theatre through March 23. Featuring a book by Douglas McGrath and lyrics and music by Carole King, Gerry Goffin, Barry Mann and Cynthia Well, this musical is particularly special and nostalgic for those who grew up listening to the music from the 60s and 70s. 

The show begins with brilliant, 16-year-old Carole (Samantha Gershman) selling her first original song to Donny Kirshner (Michael Lawrence Brown) at the Brill Building in Manhattan. From there, she meets her husband Gerry Goffin (Alex Benoit), who writes the lyrics to her compositions, and the two of them generate hit after hit while their good friends and competitors Cynthia Weil (Alexandra Palkovic) and Barry Mann (Andrew MacNaughton) work across the hall trying to keep up. Carole faces difficult personal struggles as a young mother in the music industry and being married to an absent, unfaithful husband yet she still rises to fame all culminating with her widely successful second studio album Tapestry

Directed by Jane Lanier with musical director Carolyn Brady and choreographer Gerry McIntyre, “Beautiful” is an inspiring story, and a delightful behind-the-scenes look at how the music industry worked back when performers often did not write their own songs. While the plot lacks the depth to really explore the relational complexities of Carole’s young life in particular, there is such fun in learning about the origin stories of so many beloved songs. Plus, the talented cast elevates the musical with strong vocal performances throughout.

Gershman shines as Carole bringing such warmth to her heartfelt and earnest performance. She sings beautifully, doing especially well to capture the soft, sultry tones of Carole’s voice. Her performance of “(You Make Me Feel) A Natural Woman” is a top highlight of the show. 

Other highlights include The Drifters’ (Averis Anderson, Makenzy Jenkins, Austin Nelson Jr., Michael Turrentine) flawless and ebullient performance of “On Broadway” and “Will You Love Me Tomorrow” by The Shirelles (Lydia Burke, Raeven Carroll, Allanna Lovely, Chamaya Moody). Palkovic and MacNaughton have such chemistry on stage with MacNaughton bringing a bit of delightful camp to his performance as Mann.

Packed with great music from start to finish, “Beautiful: The Carole King Musical” is a lovely celebration of one of the most successful songwriters in American history. A good choice for all music lovers. 

GUEST CONTRIBUTROR | Kaitlyn Linsner serves as an Assistant Attorney General in the Public Utilities Bureau of the Office of the Illinois Attorney General.

PHOTO | Brett Beiner

Beautiful
The Carole King Musical
Drury Lane Theatre
Oak Brook
through March 23, 2025


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PicksInSix Review: Disney's The Little Mermaid - Drury Lane Theatre

 
 

This ‘Little Mermaid’ Has Got Legs!
PicksInSix® Review | Ed Tracy

Sparkling performances that shimmer from head to tail highlight director Scott Weinstein’s delightfully bewitching and hugely entertaining revival of Disney’s “The Little Mermaid” that opened Thursday at Drury Lane Theatre in Oakbrook. The royal love story—with Alan Menken score, lyrics by Howard Ashman and Glenn Slater, and book by Doug Wright—is anchored by the stunning presence of Sarah Kay as Ariel and her stalwart Prince Eric played by Patrick Johnson. The timeless classic is a heartwarming fantasy adventure in a world that includes whimsical puppets, gorgeous costumes and magical special effects that will take your breath away.

That love story begins when Ariel, who has yearned for a new part of the world, away from the isolation of the underwater kingdom ruled by her father, King Triton (Anand Nagraj) and from her siblings, the Mersisters, saves Prince Eric from drowning. Fleeing from her father’s rage when he discovers what she has done, Ariel is lured into a pact with her evil aunt Ursula (Sawyer Smith) to trade her enchanting voice for the opportunity to explore the world in human form. But it all comes with a heavy price of Disney-style drama.

Ariel’s glistening underwater world is the work of scenic designer Tijana Bjelajac who crafts rock formations and massive stone laid columns together with sheer fabric all highlighted by Anthony Churchill’s projections and Ryan O’Gara’s lighting to simulate the mystical ocean depths and the stately kingdom that bursts with the color and rich texture of the costume design by Ryan Park and Zhang Yu. Those finely-feathered and floppy-finned friends in Ariel’s oceanic sphere—the creative artistry of Chicago Puppet Studio—come to glorious life in Kasey Alfonso’s superbly choreographed ensemble sequences. Music director Ellie Kahn brings out the brilliance in the iconic Menken/Ashman/Slater score performed in fine form by the Drury Lane Orchestra under the direction of Chris Sargent.

Michael Earvin Martin is terrific as the crab companion Sebastian, leading the company in the crowd pleasing “Under the Sea” and “Kiss the Girl.” Maya Lou Hlava’s Flounder, with the array of Sea Creatures, Gulls and Animals, are sure to make you smile. Landree Fleming shines as Scuttle in the playful “Positoovity|Positaggity” and you’ll love the zany antics of Matt Edmonds as the kooky French Chef Louis in “Les Poissons” along with the wonderful, and often hilariously understated, work of Rob Lindley as Grimsby, the Prince’s dutiful Guardian.

Few Disney villains compare in sinister scope to the sea-witch Ursula and Smith’s commanding presence in the role as the cunning sorcerous, with a couple of slippery eel sidekicks like Ryan Michael Hamman (Jetsam) and Leah Morrow (Flotsam) in tow, is magnificent. The trio are chilling in “Daddy’s Little Angel” and Smith brings the house down in a dazzling performance of “Poor Unfortunate Souls.”

It’s a night of fun filled comic chaos that keeps bubbling up with Kay’s marvelous, multi-layered performance at the heart of the show. Her exuberance, youthful charm and soaring vocal talents make Disney’s “The Little Mermaid” at Drury Lane a joy to watch and a destination for the holiday season and New Year.   

PHOTO|Brett Beiner

Drury Lane Theatre
presents
Disney’s
The Little Mermaid
100 Drury Lane
Oakbrook Terrace
through January 12, 2024

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